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losslessĮach raster image file is either lossless or lossy, depending on how the format handles your image data. Files saved in this format will be optimized for the web, mobile phones, film and video-anything that appears on a screen. These are the three primary colors of light that combine to produce other colors. RGB is a light-based color model that stands for r ed, g reen and b lue.

More often than not, the results aren’t great.
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When you enlarge an image, your software is essentially guessing at what image data is missing based on the surrounding pixels. When you transform a raster image, you stretch the pixels themselves, which can result in a “pixelated” or blurry image. Unlike a vector image, raster images are resolution dependent, meaning they exist at one size. Raster images are made up of a set grid of dots called pixels where each pixel is assigned a color. The different types of image file formats But this is a good place to start when thinking about which format to use for your projects. For example, certain formats can actually contain elements of both types. Most image files fit into one of two general categories-raster files and vector files-and each category has its own specific uses. Welcome to Image File Formats 101. Let’s dive into the basics of each file type.
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The wrong format could mean a bad print or a poor web image, a giant download or a missing graphic in an email. Using the right type for the right job means your design will come out picture perfect and just how you intended. These files come in a variety of formats, and each is optimized for a specific use. Most everything you see printed on paper, plastic or a t-shirt came from an image file. But today we’re talking image formats and all those pesky little files that we use to create visual content for print and web.Įvery graphic you see online is an image file.
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Selecting a region changes the language and/or content on GIF is the most delicious kind of peanut butter? And AI was that weird sci-fi movie starring Haley Joel Osment? Well, you’re not wrong. When you delete a spot-color or global process-color swatch (or a pattern or gradient containing a spot or global process color), all objects painted with those colors are converted to the non-global process color equivalent. Select Delete Swatch from the panel menu, click the Delete Swatch button, or drag the selected swatches to the Delete Swatch button. To delete a swatch, select one or more swatches. The first selected swatch name and color value replace all other selected swatches. To merge multiple swatches, select two or more swatches, and select Merge Swatches from the Swatches panel menu. The only exception is for a process color that does not have the Global option selected in the Swatch Options dialog box. Replacing an existing color, gradient, or pattern in the Swatches panel globally changes objects in the file containing that swatch color with the new color, gradient, or pattern. To replace a swatch, hold down Alt (Windows) or Option (Mac OS) and drag the color or gradient from the Color panel, Gradient panel, an object, or the Tools panel to the Swatches panel, highlighting the swatch you want to replace. Print gradients, meshes, and color blends.Specify crop marks for trimming or aligning.Creative Cloud Libraries in Illustrator.

Best practices for creating web graphics.Identify fonts from images and outlined text.Create shapes using the Shape Builder tool.Enhanced reshape workflows with touch support.Build new shapes with Shaper and Shape Builder tools.Recolor your artwork in seconds using a simple text prompt.Draw pixel-aligned paths for web workflows.

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